Author Topic: MLP - Mac OSX batch processing workflow (former cr2hdr-r) (Read 489573 times)

Danne · « **Reply #375 on:** May 05, 2015, 11:49:50 PM »

Cool. Don,t need to separate. I noticed a lut is missing when transcoding duai iso RAW to ProRes which will stop from creating the ProRes. Gonna upload a new version soon with that fixed. Also will refine an issue that stops some other anomalies which occur when the clock goes past 00:00 and transcodes are running. Probably fixed tomorrow.

DeafEyeJedi · « **Reply #376 on:** May 06, 2015, 06:35:26 PM »

Good stuff that you got fixed! These were important...

Standing by for the anticipated 7.3!

DeafEyeJedi · « **Reply #377 on:** May 06, 2015, 08:34:06 PM »

Thanks for 7.3!!!

Got a bunch of files from 5D3, 70D & M.

Question first before I run it... oddly enough that 5D3 and 70D produced identical file names in both RAW & MLV formats... how do I get around this? Run them separately would be best, right?

lol

Danne · « **Reply #378 on:** May 06, 2015, 08:49:24 PM »

Yes, separate. If the prefixes are named the same they will get mixed up.
I fixed an issue with dual iso. Don,t know of you notice but will upload when ready.

DeafEyeJedi · « **Reply #379 on:** May 06, 2015, 09:03:27 PM »

Ok, Thanks.

Wouldn't know since I haven't started 7.3 yet - should I wait then?

Also what about combining the MLV audio files from different cameras? Should I rename them if I'm allowed to?

Danne · « **Reply #380 on:** May 06, 2015, 09:23:02 PM »

Different file names should do. Yes, better wait. I put up too many versions

Danne · « **Reply #381 on:** May 06, 2015, 11:31:21 PM »

new one up now.

DeafEyeJedi · « **Reply #382 on:** May 07, 2015, 08:40:13 AM »

Rendering 7.3b overnight.

Here's to sweet dreams!

p.s. that particular HDR file I mentioned earlier worked out fine on MacMini as soon as I got home. It just takes a long time to spit out ProRes.

*feedbacks*

Sorry couldn't sleep on this one... LOL

https://vimeo.com/127127708

Danne · « **Reply #383 on:** May 07, 2015, 11:04:21 AM »

Thanks for feedback.
Any conclusions? Which are the files that are problematic and how? When dual iso lines shows in the middle of the clip it could be it detects the dng as non dual iso.

DeafEyeJedi · « **Reply #384 on:** May 08, 2015, 10:04:57 AM »

Ran 7.5b.

Looks much cleaner and back to what it used to do. =)
https://vimeo.com/127240698

However, I've narrowed down that it was actually the Dual ISO files from EOS-M that did not have the correct aspect ratio (even tho it was shot in normal 24p as all files were) weird?

Not so pretty on the 70D @ ISO 6400 lol...

Thanks again, D!

Danne · « **Reply #385 on:** May 08, 2015, 10:45:43 AM »

Cool, but otherwise all working?

DeafEyeJedi · « **Reply #386 on:** May 08, 2015, 05:35:26 PM »

I think so... Is it normal for HDR files to come out looking like 4:3 when it was shot in 16:9 or 2.35? (Will have to test more HDR files to confirm this though)

Danne · « **Reply #387 on:** May 08, 2015, 06:06:00 PM »

If shot in raw it corrects ALL files with 1.61x aspect ratio. If you place a MOV file in the folder it doesnt touch aspect ratio.
If you have raw material with correct aspect ratio first convert them in PRORES folder then put the MOV file in hdr folder.

DeafEyeJedi · « **Reply #388 on:** May 08, 2015, 07:58:08 PM »

Good catch, Danne!

Will keep that in mind.

pistolbeats · « **Reply #389 on:** May 09, 2015, 01:12:26 AM »

does this mean that you wont be able to colorgrade the final raw HDR sequence before its assembled into a MOV??

DeafEyeJedi · « **Reply #390 on:** May 09, 2015, 01:46:37 AM »

Not quite sure actually.

Maybe try placing the RAW HDR file into the ProRes folder first and wait for it to spit out DNG's then you can try and import the DNG's into ~~LR5~~ AE (ACR) to color grade them and then save them.

Then take that DNG folder you just edited into HDR FOLDER again and run the app once more...

Not sure if that will work but doesn't hurt to try?

Otherwise stand by for his response.

Also do you own any wide angle glass with you to perhaps try Dual-ISO in crop-mode?

Danne · « **Reply #391 on:** May 09, 2015, 07:22:35 AM »

Best way I believe is to create a flat prores file and then run it in HDR_RAW_MLV_MOV folder. You can use mlrawviewer, PRORES folder or you get a flat look straight in HDR_RAW_MLV_MOV folder so maybe run the file from there from the start. Then you grade the created MOV file in what nle you like and export the final movie once again.
Creating a flat look in the start will probably lessen the enfuse flickering effect that sometimes occur.
If you want a ready to go look you can achieve this by adding a 3d lut in HDR_RAW_MLV_MOV folder. There are a few provided but otherwise I recommend exporting a mov file and the grab one frame and create a 3d lut in davinci resolve with a desired output look. Then add the 3d lut from start in the folder with raw/mlv files.

Changes to dng files won,t follow to any program but AE and acr so that little lightroom trick won,t work

Also, if you run a MOV file in the folder the suffix has to be in capitals MOV, not mov.

DeafEyeJedi · « **Reply #392 on:** May 09, 2015, 07:49:20 AM »

This is why I LOVE AE & ACR...

They make a great couple!

[emoji12]

Danne · « **Reply #393 on:** May 09, 2015, 08:26:53 AM »

Had to update some things in HDR_RAW_MLV_MOV workflow so first post updated to 7d(will now transcode .mov and .MOV files in HDR_RAW_MLV_MOV folder)

Here are two ways to go about with raw/mlv HDR footage shot in 48, 50, or 60 fps

Here is the contrast lut I,m using in the movie
https://drive.google.com/file/d/0B4tCJMlOYfirMi1RQXNHeXh1Slk/view?usp=sharing
Here is a warmer white balance lut
https://drive.google.com/file/d/0B4tCJMlOYfirMi1RQXNHeXh1Slk/view?usp=sharing

*update
Managed to get this look when adding the contrast lut and a warmer white balance lut. Wb lut download above.

Another go with a few clips. 48 fps 1920, mlv added contrast and wb lut to most of the clips. They,re actually pretty nice.

DeafEyeJedi · « **Reply #394 on:** May 09, 2015, 10:12:50 PM »

Excellent fix regarding .mov/.MOV files...

Should definitely make our lives much easier and great job on getting the HDR section ironed out in 7.5d!

Love how your warm LUTS came out with a bit of contrast -- really nice work, Danne!

Danne · « **Reply #395 on:** May 10, 2015, 05:24:42 PM »

Updated to 7.6 (First post)

lot of things regarding HDR_RAW_MLV_MOV folder.

- White balance support from an included CR2 still picture
- A folder with contrast and white balance luts will be present in HDR_RAW_MLV_MOV folder with a description(Add a contrast lut for a ready to go look. Add white balance if needed)
- Small fixes

For best quality HDR work with MLV/RAW files and simply add them to the folder. 48, 50, 60 fps are recommended. If no lut is added a log look will be applied.

Happy filming and please share examples if you have any.

Danne · « **Reply #396 on:** May 11, 2015, 10:34:19 AM »

Updated download with the latest cr2hdr from A1ex. Compiled by Kichetof.
http://www.magiclantern.fm/forum/index.php?topic=7139.msg147286#msg147286

Danne · « **Reply #397 on:** May 11, 2015, 09:11:00 PM »

Some more test shots with HDR

. Still a cool feature.

Developed in HDR_RAW_MLV_MOV folder

shot in:
- RAW 48fps HDR mode iso 100/1600
- added two 3D luts(provided in the HDR_RAW_MLV_MOV folder, no other post work)
02_cr2hdr-r_dan_log_01_warm_+05.cube
03_cr2hdr-r_dan_log_01_to_contrast_01.cube
- Also included a CR2 still picture from location with correct base white balance.

DeafEyeJedi · « **Reply #398 on:** May 14, 2015, 12:42:03 AM »

Simply stunning!!!

Good old classic HDR is still indeed a very cool feature. [emoji3]

Just shot few test HDR shots with both 70D & 5D3.

Will download 7.6 and post results to you shortly.

Thanks again, D!

Danne · « **Reply #399 on:** May 14, 2015, 09:14:29 AM »

Looking forward to some tests.

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Author Topic: MLP - Mac OSX batch processing workflow (former cr2hdr-r) (Read 489573 times)